Physiognomy Chart

Physiognomy Chart

As the saying goes, personality and thoughts are judged by the faces of people. Many things can be learned from face-reading and using a physiognomy chart, such as the fate of a character and the future fate of those we meet for the first time.

The first indications of the development of the physiognomic theory appear in the 5th century BC in Athens in the works of Zopyrus, which contains a dialogue from the Phaedo of Elis (considered a specialist in Chinese physiognomy ( facial reading in Mianxiang ) ). At the beginning of the 16th century, Italian scholar Giambattista della Porta, considered father of the physiognomy, was instrumental in spreading the idea of character in sixteenth-century Europe. Della Porta’s work, which is housed in Browne’s library, includes celestial physiognomy, in which he argues that a person’s appearance and character are influenced not by the stars but by his temperament.

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In accordance with the old proverb “Do not judge a book by its cover”, Physiognomy, which judges a person by his or her physical characteristics, is now probably dismissed as pseudoscience but intellectuals regarded it as science in the medieval and Islamic world, including its classification as a natural science, a branch of natural philosophy modelled on Aristotelian and Avicensese. A large number of English authors of the 19th century were influenced by this theme, as is evident in the detailed physiognomic descriptions of the characters in Charles Dickens’ novels, Thomas Hardy and Charlotte Bronte’s novels. While physiognomy focuses on the face and eyes of the individual, aspects such as gender, environment, race, similarity between humans and animals, and between animals and humans are also taken into account.

Although the study of physiognomy does not belong to the separate sciences of biology or psychology, people are occupied with the distinction and interpretation of their faces, facial expressions and micro-expressions. The physiognomy of facial expression encompasses all the characteristics of a particular human face. In addition to simple measurements of head, body and extremities, the development of physiognomy also involves the separation of criminal physiognomy into discrete and classifiable elements such as the ears curled, the forehead curves and the chin.

Many people do not know the answers to many of these questions, but know that it is important to recognize different facial features in order to master the science of facial reading. People can get excited about learning face reading by skipping steps step by step but I recommend these steps if you want to become a good face reader. The best way to learn to read faces is to learn to recognize these features and relate them to their corresponding personality traits.

Physiognomy can also be used in characterization activities, character analysis and anticipatory activities to help students understand and question a character’s true intentions. Physiognomy is, for example, a great way for students to analyze the influence of physiognomy on the characters in the story as they compare good and bad characters in a character diagram. Using a physiognomy chart will help students pursue important character traits so that they can find evidence in the text to support their claim that a character is good or evil.

set of 3 physiognomy ebooks

The face shape is characterized by ten Chinese characters in Chinese face reading : Yuan Tian Mu Tong Yong You Jia Shen Feng Wang. In the ancient Chinese physiognomy books, faces are divided into 12 sections. You can learn the meaning of each house and how these 12 houses affect your life: Twelve houses, 12 sections and 12 palaces relate to the 12 basic parts of face reading. There is a certain relationship between face shape and personality. In Chinese face reading, face shape can be described by the ten Chinese characters : you (Jia Shen, Feng Wang).

A woodcut illustration of an edition of the late Ming Period (1368-1644) showing the area used for skin diagnostic. Chinese physiognomy or facial reading (Mianxiang) is achieved in spring and autumn.

When Xiajiao (lower burner) suffers from cold damage, he appears white. If deficiency or impairment are of low origin (Xiayuan, Xusun), it appears yellowish-white. When the toxic qi accumulates or stagnates, it can appear purple.

If the area looks like a kingfisher (green), the patient has made an excellent recovery. The more these areas appear like kingfishers (green), the faster the patient recovers.

Face reading or physiognomy is the science of predicting fate by reading the facial features of people. When it comes to face-reading, parts of your face beyond a certain age can indicate your happiness.

Physiognomy (from Greek phusis physis means, in other words, “nature” and gnomon means “user or interpreter”) is the practice of judging a person’s character or personality by their appearance on the face. Physiognomy has played an important role in literature, enabling audiences and readers to recognize hidden intentions and motives of characters. A book published in 1902 and revised by Emily H. Vaught in 1907, Vaught’s Practical Character Reader, describes the application of the physiognomy theory: “One can say all sorts of things about the character and personality of persons by their outward appearance” (from Wikipedia).

The Italian scholar Giambattista della Porta, considered the father of physiognomy, drew analogies with the human being and suggested that an individual character could be derived from the empirical observation of its physical characteristics.

In the late 18th century, the artistic interest in physical appearance contributed to the development of the theory of ideal geometric proportions of the face by theorists such as William Hogarth and Lord Shaftesbury to the late 18th century. In his best-selling essays on physiognomy, Johann Caspar Lavater mixed the study of silhouettes, profiles, portraits and proportions. This included the detailed reading of a face that had broken into its most important parts, such as the eyes, forehead, mouth and nose. The key to the dissemination of physiognomy and its strange ideas were paintings, illustrations, books, powerful illustrations, sculptures, drawings and other visual forms.

Now that this technological frontier is being explored by dodgy researchers and unscrupulous start-ups, we remember the discredited pseudoscience of physiognomy and phrenology which claims to use facial structure and head shape to assess character and mental performance.

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